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Sound equipment effect refers to various sound equipment designed and configured to complement stage performances, which combines artistry, specialization, and operability, and is an important means of expression in stage art. The stage sound equipment effect uses various specialized tools and techniques based on the concept of the stage program to artistically reproduce the spiritual and psychological phenomena of nature, human society, and consciousness.

舞臺音響效果不僅僅是表演者的“傳聲筒”或背景音樂的“放大器”，而是在整個舞臺藝術(shù)中起著主力性、增值性和再創(chuàng)性的作用。其一，舞臺藝術(shù)很大程度上依靠音響設(shè)備效果來營造舞臺演出的情境、渲染舞臺氛圍，反映人物心理，以及設(shè)置節(jié)目懸念，從而增強(qiáng)舞臺藝術(shù)的感染，地在聽覺上使觀眾產(chǎn)生身臨其境的現(xiàn)場感，并且以聽覺調(diào)動其他感官，充分激發(fā)觀眾的想象力，獲得全身心地情感體驗;其二，舞臺音響效果對舞臺演員的表演有著加工美化的增值作用，一方面能夠改善和彌補(bǔ)演員由于自身音域音色的不適或不足，另一方面，因劇情所需，通過音響設(shè)備的傳遞與處理來烘托氣氛，營造或輕松或緊張的現(xiàn)場;其三，音響設(shè)備效果某種意義上來說算得上是另一種舞臺語言，是對演出節(jié)目從內(nèi)容到形式的再創(chuàng)性呈現(xiàn)。

The stage sound effect is not only the performer's "microphone" or the "amplifier" of background music, but also plays a dominant, value-added, and creative role in the entire stage art. Firstly, stage art largely relies on the effects of sound equipment to create the context of stage performances, render the stage atmosphere, reflect the psychology of characters, and set up suspense for the program, thereby enhancing the infection of stage art, maximizing the audience's auditory sense of being present, and mobilizing other senses through hearing, fully stimulating the audience's imagination, and obtaining a wholehearted emotional experience; Secondly, the stage sound effect has a value-added effect on the processing and beautification of stage actors' performances. On the one hand, it can improve and compensate for the discomfort or deficiency of the actors due to their own range and timbre. On the other hand, due to the needs of the plot, the atmosphere is enhanced through the transmission and processing of sound equipment, creating a relaxed or tense scene; Thirdly, the sound equipment effect can be considered as another stage language in a sense, which is a creative presentation of the performance program from content to form.

音響設(shè)備在舞臺藝術(shù)中的運(yùn)用可向更寬廣、更逼真、更立體的方向發(fā)展。更寬廣就是實現(xiàn)低音更低和高音更高，讓聲音的音域變得寬廣，從而能夠承載更多的內(nèi)容，讓聲音愈加充實和深厚;更逼真就是增強(qiáng)聲音的還原性，通過運(yùn)用降噪、數(shù)字化等技術(shù)讓播出的聲音更接近原音，更自然和真實;更立體就是通過增加聲道等方法，模擬出場果，讓聲音更富感染力和表現(xiàn)力，讓聽眾如身臨其境。

The application of sound equipment in stage art can develop towards a broader, more realistic, and more three-dimensional direction. Wider means achieving lower bass and higher treble, making the sound's range wider and able to carry more content, making the sound more substantial and profound; More realistic is to enhance the reproducibility of sound, by using techniques such as noise reduction and digitization to make the broadcast sound closer to the original sound, more natural and realistic; More three-dimensional means simulating a strong appearance effect by adding vocal channels and other methods, making the sound more infectious and expressive, and making the audience feel like they are in the audience.

音響設(shè)備與燈光不僅要實現(xiàn)自身的配合，還要一起配合舞臺表演的節(jié)目。舞臺的音響設(shè)備和燈光要與節(jié)目的進(jìn)展保持高度的一致狀態(tài)，設(shè)計師要根據(jù)舞臺上每一步表演的節(jié)奏及時切換相應(yīng)的音響設(shè)備和燈光，否則不僅不能達(dá)到預(yù)定的效果，甚會影響整個的舞臺藝術(shù)和整場的表演效果。

The sound equipment and lighting not only need to achieve their own coordination, but also work together with the stage performance program. The sound equipment and lighting on the stage should be in a highly consistent state with the progress of the program. Designers should switch the corresponding sound equipment and lighting in a timely manner according to the rhythm of each performance step on the stage. Otherwise, not only will the predetermined effect not be achieved, but it will even affect the entire stage art and performance effect.