更新時間：2022-12-17
文章來源：http://m.74seba.com/
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很多人提問為什么有的
舞臺音響需要疊加起來使用，今天小編就來告訴大家原因。
Many people ask why some stage stereos need to be superimposed. Today, I will tell you why.
把舞臺音響疊加起來，因為大型演出時，一對音響無法滿足演出時所需要的音量，需要將好幾臺功放疊加在一起，達到演出所需要的音量。當(dāng)然了也有一些演出會增加一對低頻音箱，來彌補演出現(xiàn)場低頻不足的情況,一些用來放大人的聲音，另外的放大音樂。其實人聲和伴奏在調(diào)音臺上能夠混合好，不用單獨接功放，所以這個方法沒有必要。
Overlay the stage acoustics, because a pair of acoustics cannot meet the volume required for a large-scale performance, several power amplifiers need to be superimposed together to achieve the volume required for the performance. Of course, some performances will add a pair of low-frequency speakers to make up for the lack of low-frequency at the performance site. Some will be used to play adults' voices, while others will amplify music. In fact, the vocals and accompaniments can be mixed well on the mixing console, and there is no need to connect the power amplifier separately, so this method is unnecessary.
舞臺演出除了人的語言、音樂之外，還有其他的聲響，例如自然環(huán)境的聲響，動物的聲響，機器工具的音響，人的動作發(fā)出的各種聲音等。
In addition to human language and music, there are other sounds in the stage performance, such as the sound of the natural environment, the sound of animals, the sound of machines and tools, and various sounds generated by human actions.
舞臺音響主要包括功放、周邊設(shè)備（包括壓限器，效果器，均衡器，VCD，DVD等）、揚聲器（音響、喇叭）、調(diào)音臺、麥克風(fēng)、顯示設(shè)備等等加起來。其中，音箱就是聲音輸出設(shè)備、喇叭、低音炮等等。一個音箱里包括高、低、中三種揚聲器，三種但不一定就三個。
Stage sound mainly includes power amplifier, peripheral equipment (including pressure limiter, effector, equalizer, VCD, DVD, etc.), loudspeaker (sound, speaker), mixer, microphone, display equipment, etc. Among them, speakers are sound output devices, speakers, subwoofers, etc. A speaker box includes three kinds of loudspeakers: high, low and medium loudspeakers, three but not necessarily three.
小編提醒各位音樂人以及音箱設(shè)備的使用者，以上僅為專門的舞臺音響設(shè)備的基礎(chǔ)性調(diào)試過程和辦法，關(guān)于專門的調(diào)試必定需求有技能和經(jīng)歷，在調(diào)試時應(yīng)留意專門的舞臺音響設(shè)備的細(xì)節(jié)，側(cè)重關(guān)注其作業(yè)的穩(wěn)定性。調(diào)試結(jié)束后，應(yīng)將各種設(shè)備放回原位，舞臺音響設(shè)備切忌磕碰，不然易導(dǎo)致外力致?lián)p，或操作不當(dāng)損壞設(shè)備。
The editor reminds all musicians and speakers users that the above is only the basic debugging process and method of special stage audio equipment. Special debugging must require skills and experience. During debugging, attention should be paid to the details of special stage audio equipment, focusing on the stability of its operation. After debugging, all kinds of equipment shall be put back to their original positions. The stage audio equipment shall not be bumped, otherwise it is easy to cause damage by external forces or damage the equipment due to improper operation.
為什么使用舞臺音響要疊加起來？針對這個問題，已經(jīng)給您講解了相關(guān)內(nèi)容，希望能給您幫助，更多相關(guān)事項就來我們網(wǎng)站
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Why do you want to stack stage sound? In view of this problem, I have explained the relevant content to you, and I hope I can help you. More relevant matters will come to our website http://m.74seba.com Ask and understand!
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