更新時(shí)間：2022-01-13
文章來(lái)源：http://m.74seba.com/
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以往演出在對(duì)舞臺(tái)進(jìn)行更換的時(shí)候，不僅要浪費(fèi)很多時(shí)間，還不能達(dá)到一定效果，由于受到這些條件的限制，因此無(wú)法實(shí)現(xiàn)劇本當(dāng)中的很多場(chǎng)景。而音響有助于舞臺(tái)效果的營(yíng)造。因?yàn)橐繇戇M(jìn)行調(diào)控的主要原因是為了讓輸出的聲音變得更加的悅耳和諧，更加的注重于音量、音品、音調(diào)的統(tǒng)一，并且能夠?yàn)樘攸c(diǎn)的表演營(yíng)造出戲劇性效果。人聲、樂(lè)器聲均屬于復(fù)合音，它主要是由基音和泛音構(gòu)成。
In the past, when the stage was replaced, it not only wasted a lot of time, but also failed to achieve a certain effect. Due to the limitations of these conditions, many scenes in the script could not be realized. The sound is helpful to create the stage effect. Because the main reason for sound regulation is to make the output sound more pleasant and harmonious, pay more attention to the unity of volume, sound quality and tone, and create a dramatic effect for the characteristic performance. Human voice and musical instrument sound belong to compound sound, which is mainly composed of pitch and overtone.
因此需要進(jìn)行調(diào)控，才能發(fā)出音色。在美化、裝飾聲音之上，可以通過(guò)調(diào)音臺(tái)進(jìn)行輸入通道的調(diào)試，并且對(duì)音色進(jìn)行相應(yīng)的處理，以此提升其表現(xiàn)力。通過(guò)對(duì)音色頻道進(jìn)行處理，以此提升舞臺(tái)藝術(shù)的表現(xiàn)力。在處理音色頻率的過(guò)程之中，如若高音頻段頻率較弱，則會(huì)使得音色中的個(gè)性和韻味產(chǎn)生變化。如若中高頻段頻率較弱，則會(huì)使音色變得朦朧且暗淡，但是如果過(guò)高，則音色則會(huì)變得比較呆板。如若中低頻段頻率較弱，則音色會(huì)變得軟綿綿、乏力且空虛，但是如果過(guò)強(qiáng)，則會(huì)使音色變得無(wú)活力且生硬。
Therefore, it needs to be regulated in order to produce the best timbre. On the basis of beautifying and decorating the sound, the input channel can be debugged through the mixer, and the sound color can be processed accordingly, so as to improve its expressiveness. Through the processing of timbre channels, we can improve the expressiveness of stage art. In the process of processing timbre frequency, if the high frequency band frequency is weak, the personality and charm in timbre will change. If the medium and high frequency band frequency is weak, the timbre will become dim and dim, but if it is too high, the timbre will become more rigid. If the medium and low frequency band frequency is weak, the timbre will become soft, weak and empty, but if it is too strong, the timbre will become lifeless and stiff.
如若低頻段頻率較弱，則會(huì)使音色變得蒼白，但是如果過(guò)強(qiáng)，則會(huì)造成音色渾濁不清。因此，音色的調(diào)試，需根據(jù)舞臺(tái)表演的需求進(jìn)行，如果能夠按照舞臺(tái)導(dǎo)演或者是演員的要求進(jìn)行調(diào)控和設(shè)定，則能夠營(yíng)造出相應(yīng)的舞臺(tái)氛圍，并且能夠通過(guò)聲音對(duì)任務(wù)進(jìn)行刻畫(huà)。
If the low-frequency band frequency is weak, the timbre will become pale, but if it is too strong, it will cause timbre turbidity. Therefore, the debugging of timbre needs to be carried out according to the needs of stage performance. If it can be adjusted and set according to the requirements of stage director or actor, it can create the corresponding stage atmosphere and depict the task through sound.
在舞臺(tái)美術(shù)中應(yīng)用音響能夠有效地提升舞臺(tái)的現(xiàn)場(chǎng)表演效果。但舞臺(tái)戲劇藝術(shù)的藝術(shù)核心始終都是不變的，比如所表達(dá)的時(shí)代精神、所表現(xiàn)的社會(huì)生活、所考量的人性，而任何技術(shù)所存在的價(jià)值，就是表達(dá)這些舞臺(tái)戲劇技術(shù)所要傳達(dá)的內(nèi)容?？傊?，只有讓舞臺(tái)美術(shù)更好地應(yīng)用音響，才能夠更好地讓舞臺(tái)藝術(shù)以百家爭(zhēng)鳴、百花齊放的形式呈現(xiàn)出來(lái)。
The application of sound in stage art can effectively improve the live performance effect of the stage. However, the artistic core of stage drama art is always unchanged, such as the spirit of the times, social life and human nature. The value of any technology is to express the content that these stage drama technologies want to convey. In short, only by making better use of sound in stage art can stage art be better presented in the form of a hundred schools of thought and a hundred flowers in full bloom.
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